Michel Gantner diverts plant shapes and colors from their initial environment to achieve a new subjectivity. He thus manages to give an aspect of astonishing sensuality to the flowers he photographs. In order to be able to work in a simple and systematic way, and compose his images without having to worry about his lens or the light illuminating his subject, the photographer limits his field of action to a “light box” without any other exposure. frontal. The plants are indeed sufficiently translucent