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shan kun wu

Summer Dating

  • 1. Format
  • 2. Finish
  • 3. Frame

Customise your photograph in three steps

Choice of format

Choice of finish

Total amount : Frameless

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Choice of frame

Total amount : Frameless

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Other artworks by SHAN KUN WU

Artwork details

The thematics of the artwork

Animal
Unusual worlds
Surrealist

About the artwork

The two animals are integrated to the nature partially, a friendship or love sometimes can be quite short but in another way it can be contemporary to them.Sensitive to the environment that he grew up in, Shankun Wu remembers the Chinese paintings and traditional calendars full of images that his grandparents collected. Both decorative and symbolic, these objects made a strong impression on his visual imagination, from which he now sources one of his main wellsprings of inspirations, not without a sense of nostalgia. He considers photography to be a kind of mental journal enabling him to represent parts of his inner, abstract world and to cause certain concerns to resurface that were once hidden within his subconscious: ?Since our memory is very fragile, no one can remember exactly what happened in the past. Bringing back memories is therefore more like re-imagining the past. Just as trees can link the past with the present, and represent life and eternity, I would like my photographs to be able to provide a sense of eternity.?

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Our know-how

MOUNTED FORMATS

Large, Giant, Collector, and Prestige


YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 50 to 500 copies available worldwide depending on the format.

Mounting is a procedure use to provide a solid support for an Art photograph, to present an irreproachable display for the largest formats.

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FRAMED GALLERY FORMATS

Classic Format 40x50cm and 50x70cm


YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 2 000 to 5 000 copies available worldwide depending on the format.

The size of the print varies from one artwork to the next. The total dimension, including the passe-partout is 40x50 cm or 50x70cm depending on the format chosen.

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GLOSSED GLASS

Available only in mounted formats


This technique consists of direct applying a gloss acrylic-glass plate onto the photograph after mounting, providing protection while accentuating the colours and therefore giving the print greater depth. This finish is ideal for heightening the colours of the photograph.


Expert Advice :

High-gloss acrylic glass is suitable for rooms with indirect lighting on the photograph.

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MATTE GLASS

Available only in mounted formats


This technique consists of directly applying a matte acrylic-glass plate onto a print after mounting, including a protective anti-reflective finish. This finish is ideal for dark or black-and-white prints.


Expert Advice :

Matte acrylic glass is adapted to rooms with direct exposure to light and provides an anti-reflective coating for your art.

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WITHOUT GLASS

Available only in mounted formats


This technique consists of gluing the print onto Dibond © (composite aluminium plate). This material is made of a layer of polyethylene sandwiched between two thin sheets of aluminium, making it stiff and light, with a total thickness of 2 mm.

This finish is not available in Prestige format

In galleries or on Yellowkorner.com it is possible to order the mounted print with or without a frame.

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ACRYLIC GLASS

Available for the framed gallery formats


The framed gallery formats include a white passe-partout, creating a space between the print and the acrylic glass plate of the frame. It is a cardboard plate covered with laid paper on which we cut out a bevelled window to accommodate the print. This passe-partout highlights the artwork and gives it greater depth.

Expert Advice :
Le verre acrylique est adapté aux pièces avec un éclairage non direct sur la photographie. Il apporte un effet brillant et permet de protéger l'oeuvre tout en accentuant les couleurs.

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ANTI-REFLECTION MUSEUM GLASS

Only available for the Classic format 40x50cm

The framed gallery formats include a white passe-partout, creating a space between the print and the acrylic glass plate of the frame. It is a cardboard plate covered with laid paper on which we cut out a bevelled window to accommodate the print. This passe-partout highlights the artwork and gives it greater depth. Invisible and reflection-free, it ensures perfect colour restitution and allows the details to emerge without the slightest alteration, so that the attention is focused on the artwork.

Expert Advice :
Anti-reflective glass is adapted to bright rooms with direct exposure to sunlight.

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MOUNTED FRAMES

6 Frames Available

The print is inserted into a 480 mm thick solid-wood, custom-built frame, assembled by hand. On the sides of the frame, we find two notches allowing the work to be hung directly.

This frame, known as the shadowgap frame, leaves a 15 mm wide space from the artwork, giving the artwork a sensation of floating in its frame, thus contributing an effect of lightness and depth. The shadowgap frame is available in six colours: These frames are available for mounted formats.

For security reasons, please note that the artworks are not delivered inside the frame. The frames are not available in Exception format.

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GALLERY FRAMES

4 Frames Available

The framing is divided into three distinct elements:

  • A plate of acrylic glass or museum glass
  • A protective plate on the back including two metal supports allowing it to be hung with a hook.
  • A border, in wood or aluminium, which links the two previous elements

Frames are available in several different materials and colours.

For security reasons, please note that the artworks are not delivered inside the frame. Only the black aluminium frame is available for the Classic format 50x70cm

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