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olivier follmi

PAGODA OF DUALITY

  • 1. Format
  • 2. Finish
  • 3. Frame

Customise your photograph in three steps

Choice of format

Choice of finish

Total amount : Frameless

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Choice of frame

Total amount : Frameless

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Other artworks by OLIVIER FOLLMI

Artwork details

Location of the image

Asie

The thematics of the artwork

Travel
Asia
World Culture
Asian culture

About the artwork

"Photography is not a goal but a means for getting involved in the harmony of the world," declares Olivier F?llmi, who has spent a large part of his life exploring the remotest regions to capture their beauty and testify to the fate of humankind. He reveals what the media no longer does, in his opinion: showcasing world cultures and civilisations by photographing "worthy" men and women. We discover his travel photographs with fascination, adopting his point of view and marvelling at the world. "I press the shutter and experience a profound feeling of love." The dreamlike image Pagoda of Duality was taken in August 2015. It is a pagoda located in the countryside of Innwa, the former royal capital of Myanmar, where the photographer has travelled extensively, on a cart pulled by a tired old horse.

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Our know-how

MOUNTED FORMATS

Large, Giant, Collector, and Prestige


YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 50 to 500 copies available worldwide depending on the format.

Mounting is a procedure use to provide a solid support for an Art photograph, to present an irreproachable display for the largest formats.

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FRAMED GALLERY FORMATS

Classic Format 40x50cm and 50x70cm


YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 2 000 to 5 000 copies available worldwide depending on the format.

The size of the print varies from one artwork to the next. The total dimension, including the passe-partout is 40x50 cm or 50x70cm depending on the format chosen.

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GLOSSED GLASS

Available only in mounted formats


This technique consists of direct applying a gloss acrylic-glass plate onto the photograph after mounting, providing protection while accentuating the colours and therefore giving the print greater depth. This finish is ideal for heightening the colours of the photograph.


Expert Advice :

High-gloss acrylic glass is suitable for rooms with indirect lighting on the photograph.

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MATTE GLASS

Available only in mounted formats


This technique consists of directly applying a matte acrylic-glass plate onto a print after mounting, including a protective anti-reflective finish. This finish is ideal for dark or black-and-white prints.


Expert Advice :

Matte acrylic glass is adapted to rooms with direct exposure to light and provides an anti-reflective coating for your art.

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WITHOUT GLASS

Available only in mounted formats


This technique consists of gluing the print onto Dibond © (composite aluminium plate). This material is made of a layer of polyethylene sandwiched between two thin sheets of aluminium, making it stiff and light, with a total thickness of 2 mm.

This finish is not available in Prestige format

In galleries or on Yellowkorner.com it is possible to order the mounted print with or without a frame.

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ACRYLIC GLASS

Available for the framed gallery formats


The framed gallery formats include a white passe-partout, creating a space between the print and the acrylic glass plate of the frame. It is a cardboard plate covered with laid paper on which we cut out a bevelled window to accommodate the print. This passe-partout highlights the artwork and gives it greater depth.

Expert Advice :
Le verre acrylique est adapté aux pièces avec un éclairage non direct sur la photographie. Il apporte un effet brillant et permet de protéger l'oeuvre tout en accentuant les couleurs.

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ANTI-REFLECTION MUSEUM GLASS

Only available for the Classic format 40x50cm

The framed gallery formats include a white passe-partout, creating a space between the print and the acrylic glass plate of the frame. It is a cardboard plate covered with laid paper on which we cut out a bevelled window to accommodate the print. This passe-partout highlights the artwork and gives it greater depth. Invisible and reflection-free, it ensures perfect colour restitution and allows the details to emerge without the slightest alteration, so that the attention is focused on the artwork.

Expert Advice :
Anti-reflective glass is adapted to bright rooms with direct exposure to sunlight.

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MOUNTED FRAMES

6 Frames Available

The print is inserted into a 480 mm thick solid-wood, custom-built frame, assembled by hand. On the sides of the frame, we find two notches allowing the work to be hung directly.

This frame, known as the shadowgap frame, leaves a 15 mm wide space from the artwork, giving the artwork a sensation of floating in its frame, thus contributing an effect of lightness and depth. The shadowgap frame is available in six colours: These frames are available for mounted formats.

For security reasons, please note that the artworks are not delivered inside the frame. The frames are not available in Exception format.

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GALLERY FRAMES

4 Frames Available

The framing is divided into three distinct elements:

  • A plate of acrylic glass or museum glass
  • A protective plate on the back including two metal supports allowing it to be hung with a hook.
  • A border, in wood or aluminium, which links the two previous elements

Frames are available in several different materials and colours.

For security reasons, please note that the artworks are not delivered inside the frame. Only the black aluminium frame is available for the Classic format 50x70cm

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