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BERNHARD HARTMANN

Casa Jeronimo

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The artist

Born in Frankfurt in 1955, Bernhard Hartmann began his artistic career at the age of 18 as a press photographer for a German newspaper. Self-taught, he studied art and became a landscape photographer after discovering this medium with the aid of his parents? Polaroid. He creates dramatic and cinemascopic images that are often compared to the Romantic paintings of Caspar David Friedrich, but also to the dramatic natural scenes by English painter William Turner. He prefers to photograph places where the arts are practised and expressed and thus presents series on operas, theatres, or European manors. A lawyer in Munich, Bernard Hartmann now lives near Lake Starnberg in the Bavarian Alps. His works belong to numerous private collections and have been shown in the United States, Spain, Italy, and Germany. He was elected ?Photographer of the Year? by a Swiss magazine and won the ?American Black-and-White Photo Awards? as well as the ?Panoramic Epson Award?.  ... See more See less

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I love what is beautiful. The serenity of a beautiful garden and the grave of an architectural monument must provoke the same emotion for the viewer. They must be enchanted through their emotions.

BERNHARD HARTMANN

About the artwork

German artist Bernhard Hartmann owes his recent success to his breathtaking representations of historic buildings that are highly symbolic and entirely dedicated to art and culture. On his travels, he also ponders the meaning and heritage value applied to old abandoned buildings, as in his series on Havana, taken between 2010 and 2014. The ?Villa Alonso? is a notable site from the heyday of the Cuban city prior to the revolution led by Fidel Castro. Due to lack of funds, the magnificent buildings have not been able to be maintained by their owners and have fallen into disrepair. The representation of this Art Deco bourgeois interior is thus part of this sad legacy. Fifty years later, Bernhard Hartmann offers us a poetic testimony, in which the fading of colours into yellowing hues, and disintegrating walls and ceilings, undeniably reveal the weight of the years. These residences still have families living in them, in extreme poverty.

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