Taj Mahal in Infrared

david clapp

5 available formats from $135.00 to $4,550.00

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Anecdote

An infrared interpretation of the Taj Mahal in India by the way if the towers looks like they are converging. It is because they were designed that way. They fall away from the tower if there is an earthquake .

About the artwork

A specialist in travel and landscape photography, the English photographer David Clapp puts technique at the service of emotion: "I am obsessed with composition and framing" he assures, "I cannot leave a place without having found the perfect harmony between the composition and the moment when I trigger my camera, I want that moment to be the heart of my photo." Whether applied to the Taj Mahal, a lavender field or a lake in Norway, the technique produces breathtaking results!

Artwork details

Location of the image

Agra, Inde, Asie

The thematics of the artwork

About the Artist

David Clapp

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FORMAT FINISH FRAME

MOUNTED FORMATS

Large, Giant, Collector, and Prestige

YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 50 to 500 copies available worldwide depending on the format.

Mounting is a procedure use to provide a solid support for an Art photograph, to present an irreproachable display for the largest formats.

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FRAMED GALLERY FORMATS

Classic Format 40x50cm and 50x70cm

YellowKorner proposes photographic prints on high-quality traditional paper with a certificate of authenticity. The prints are developed in our laboratory in numbered limited edition, with between 2 000 to 5 000 copies available worldwide depending on the format.

The size of the print varies from one artwork to the next. The total dimension, including the passe-partout is 40x50 cm or 50x70cm depending on the format chosen.

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GLOSSED GLASS

Available only in mounted formats

This technique consists of direct applying a gloss acrylic-glass plate onto the photograph after mounting, providing protection while accentuating the colours and therefore giving the print greater depth. This finish is ideal for heightening the colours of the photograph.

Expert Advice :

High-gloss acrylic glass is suitable for rooms with indirect lighting on the photograph.

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MATTE GLASS

Available only in mounted formats

This technique consists of directly applying a matte acrylic-glass plate onto a print after mounting, including a protective anti-reflective finish. This finish is ideal for dark or black-and-white prints.

Expert Advice :

Matte acrylic glass is adapted to rooms with direct exposure to light and provides an anti-reflective coating for your art.

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WITHOUT GLASS

Available only in mounted formats

This technique consists of gluing the print onto Dibond © (composite aluminium plate). This material is made of a layer of polyethylene sandwiched between two thin sheets of aluminium, making it stiff and light, with a total thickness of 2 mm.

This finish is not available in Prestige format

In galleries or on Yellowkorner.com it is possible to order the mounted print with or without a frame.

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ACRYLIC GLASS

Available for the framed gallery formats

Expert Advice :
Le verre acrylique est adapté aux pièces avec un éclairage non direct sur la photographie. Il apporte un effet brillant et permet de protéger l'oeuvre tout en accentuant les couleurs.

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ANTI-REFLECTION MUSEUM GLASS

Only available for the Classic format 40x50cm

The framed gallery formats include a white passe-partout, creating a space between the print and the acrylic glass plate of the frame. It is a cardboard plate covered with laid paper on which we cut out a bevelled window to accommodate the print. This passe-partout highlights the artwork and gives it greater depth. Invisible and reflection-free, it ensures perfect colour restitution and allows the details to emerge without the slightest alteration, so that the attention is focused on the artwork.

Expert Advice :
Anti-reflective glass is adapted to bright rooms with direct exposure to sunlight.

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MOUNTED FRAMES

6 Frames Available

The print is inserted into a 480 mm thick solid-wood, custom-built frame, assembled by hand. On the sides of the frame, we find two notches allowing the work to be hung directly.

This frame, known as the shadowgap frame, leaves a 15 mm wide space from the artwork, giving the artwork a sensation of floating in its frame, thus contributing an effect of lightness and depth. The shadowgap frame is available in six colours: These frames are available for mounted formats.

For security reasons, please note that the artworks are not delivered inside the frame. The frames are not available in Exception format.

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GALLERY FRAMES

4 Frames Available

The framing is divided into three distinct elements:

A plate of acrylic glass or museum glass
A protective plate on the back including two metal supports allowing it to be hung with a hook.
A border, in wood or aluminium, which links the two previous elements

Frames are available in several different materials and colours.

For security reasons, please note that the artworks are not delivered inside the frame. Only the black aluminium frame is available for the Classic format 50x70cm

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