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AURELIEN VILLETTE

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About the artwork

"Abandoned sites fascinate me and have become essential points of interest on my travels. But beyond my fascination for them, the sites that I photograph must satisfy criteria that serve my artistic approach. This criteria is aesthetic and technical, such as natural lighting, textures, worn materials and perspectives. Some architectural elements are particularly interesting to me, like staircases, which testify to the evolution of a society and a culture. Besides aesthetics, geopolitical criteria comes into play. I seek to demonstrate that the abandoned nature of these sites is intimately connected to human activities and to historical context. I strive to understand the evolution of the world, of politics, people and their destinies." Aurélien Villette

The artist

Photographer Aurélien Villette questions the meaning and patrimonial value of ancient abandoned buildings. While the latter represent an era in architectural history, they also bear witness to the specific history of a country, a region or a civilisation. The remains left in these sites are the chronological markers of an era. Ruins become both objects of contemplation and meditation.  ... See more See less

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Architecture marks all of our lives, our lifestyle, beliefs and cultures, from our birth to our death and beyond. All of this variety leaves me awestruck, every day

AURELIEN VILLETTE

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Our key artists

BERNHARD HARTMANN

Born in Frankfurt in 1955, Bernhard Hartmann began his artistic career at the age of 18 as a press photographer for a German newspaper. Self-taught, he studied art and became a landscape photographer after discovering this medium with the aid of his parents' Polaroid. He creates ...

RUSLAN BOLGOV

Ruslan Bolgov was born in 1974 in Klaipeda, Lithuania, on the shores of the Baltic Sea. His earliest photographs were taken as a teenager, but he didn’t take the experience very far at the time. It wasn’t until the end of his studies in economics and finance that he seriously app...

CLAUDE DEGOUTTE

“The wall belongs to the ‘retards’, ‘inept’, ‘rebels’, ‘simpletons’, to all those with a big heart. It is the blackboard of the school of life,” says French-Hungarian artist Brassaï in his famous back Graffiti. A veritable ode to urban art, Brassaï’s reflection was to mark the a...