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DANIEL METZ

Old Fisherman

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About the artwork

During a recent trip to China, notably in the south of Guilin, Daniel Metz became enamoured with the region's landscapes, comprising thousands of small mountains in the form of very jagged peaks; the karstic reliefs characteristic of Guangxi, which is nonetheless an industrial and highly urbanised area. Daniel Metz works with photographs like a painter constructing a painting, after a period of analysis, studying the composition and chromatic choices. Based on his background as a theorist of colour, the subject of many publications, he makes it a point of honour to showcase this aspect as an essential element of imagery. In his works, the juxtaposition and contrast of colours effectively enable the forms to be revealed and accentuate the depth of the landscape. These characteristics confer a very graphic and pared-down dimension to his photographs, in a similar manner to Japanese engravings.

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Why photography?
Sight is the sense that brings me the most pleasure. More than taste, hearing, or touch. Photography, even if it is a reduction of a real scene, can sometimes provide strong visual sensations.
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My approach is to find in landscape photography the right balance between realism and the idealisation of reality. The search for an ideal photo is an endless quest.

DANIEL METZ

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Our key artists

MINA MIMBU

Born in Japan, Mina Mimbu moved to New Zealand at the age of 14 to continue her studies. Since she did not have a full grasp of English upon her arrival in Auckland, she turned to other means of expression to counteract the language barrier. A self-taught artist, she tried her ha...

RICHARD HIRST

Richard Hirst is one of Australia’s leading landscape photographers. Known to many in Australia simply as ‘Hirsty’, Richard has spent many years photographing the magnificent scenery of Sydney with a particular focus on the wonderful pristine beaches and cityscape. His passio...

LUDWIG FAVRE

Born in Senlis in 1976, Ludwig Favre now lives and works in Paris. Art history, multimedia and audiovisual studies, but also the transmission of a passion between a father and his son were the means that trained the photographer’s eye, sensitive to the reproduction of picturesque...