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MATTHIEU RICARD

La libation d'or

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MAGGIORI INFORMAZIONI SULLA CONSEGNA

Sull'opera

The sacred Dance of the Golden Libation (serkyem) at Shechen Monastery, Nepal. Cham, the Tibetan Buddhist sacred dance form, uses masks, costumes, and visualization to combine meditation and pure movement in a form of prayer. The dance must spring forth from emptiness, free of attachment, as a rainbow forms in space, wrote a great seventeenth-century Tibetan master. In this particular dance, twenty-one dancers wear large black headdresses surmounted by a sun and a moon, and carry silver mirrors on their breasts. They dress in brocades and multicolored scarves and also wear a black apron embroidered with a terrifying face. The dance is intended to bless the monastery?s courtyard: during the annual festival, it will become the mandala inside which the dancers will perform. 1988

L'artista

Buddhist monk and neurobiologist, Matthieu Ricard is also a photographer and author. He has shared the grandiose beauty of the Himalayan region with us for many years. Born in 1946, he travelled to India for the first time in 1967 and met on this occasion remarkable masters of the Buddhist Tibetan tradition. After living in Tibet and Bhutan, he definitively moved to Nepal to the Shechen Monastery and became the Dalai Lama’s French interpreter in 1989, helping him to maintain a continuous dialogue between East and West. A life spent in this intimate space has allowed him to capture, through his lens, the masters, landscapes, and peoples of this isolated region of the world, and to paint a magnificent portrait of it. Matthieu Ricard is the author of many photographic books, including The Spirit of Tibet, Himalayan Buddhist, Tibet: Gazes of Compassion, Motionless Journey, and Monk Dancers of Tibet and Bhutan: Land of Serenity. His photographs have been exhibited in New York, Paris, Perpignan, Winterthur, Stockholm, and Hong Kong.  ... Vedi di più Vedere di meno

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I use photography as a source of hope, which restores confidence in human nature and revives our awe at the natural world around us.

MATTHIEU RICARD

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