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AURELIEN VILLETTE

EROSIONS VENITIENNES III

  • 1. Formato
  • 2. Finitura
  • 3. Cornice

Scelta del formato

Scelta della finitura

Totale : Senza cornice

nel formato

Scelta della cornice

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nel formato
Edizione limitata di 155,00$ 109,00$ a 7.860,00$ ULTIME COPIE : FINO A -40%

Formati scontati: CLASSIC, FORMATO LARGE

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Dettagli dell'opera

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MAGGIORI INFORMAZIONI SULLA CONSEGNA

L'artista

Photographer Aurélien Villette questions the meaning and patrimonial value of ancient abandoned buildings. While the latter represent an era in architectural history, they also bear witness to the specific history of a country, a region or a civilisation. The remains left in these sites are the chronological markers of an era. Ruins become both objects of contemplation and meditation.  ... Vedi di più Vedere di meno

Tutte le sue fotografie

Architecture marks all of our lives, our lifestyle, beliefs and cultures, from our birth to our death and beyond. All of this variety leaves me awestruck, every day

AURELIEN VILLETTE

Sull'opera

While the photographer’s main subjects are inspired by buildings in ruins, these are not however always ruins left by their inhabitants. They hark back to the golden age of a bygone era and most symbolise a heritage that is doomed to disappear. Aurélien Villette has travelled the world since 2008 in search of “the spirit of place” in each of the structures that he photographs. Since then, he has set foot in around thirty countries, seeking out societies and stories that have fashioned his vision of the world. What he highlights in his landscapes is this personal view of our civilisation and its changes through architectural constructions that have come and gone from one era to the next. Venice, on the shores of the Adriatic Sea, is now threatened by rising seawater and the sinking and erosion of the buildings into the lagoon. Through the Venetian Erosions series, Aurélien Villette captures the fragile beauty of this floating city, gradually drowning beneath the waves.

Dettagli dell'opera

Data delo scatto

07 gennaio 2019

Soggetto dell'opera

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