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AURELIEN VILLETTE

EMPIRE THEATER ANGLETERRE

  • 1. Formato
  • 2. Finitura
  • 3. Cornice

Scelta del formato

Scelta della finitura

Totale : Senza cornice

nel formato

Scelta della cornice

Totale :

nel formato
Edizione limitata di 155,00$ 97,50$ a 4.760,00$ ULTIME COPIE : FINO A -35%

Formato ridotto : CLASSIC

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Dettagli dell'opera

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MAGGIORI INFORMAZIONI SULLA CONSEGNA

L'artista

Photographer Aurélien Villette questions the meaning and patrimonial value of ancient abandoned buildings. While the latter represent an era in architectural history, they also bear witness to the specific history of a country, a region or a civilisation. The remains left in these sites are the chronological markers of an era. Ruins become both objects of contemplation and meditation.  ... Vedi di più Vedere di meno

Tutte le sue fotografie

Architecture marks all of our lives, our lifestyle, beliefs and cultures, from our birth to our death and beyond. All of this variety leaves me awestruck, every day

AURELIEN VILLETTE

Sull'opera

While the photographer's subjects are inspired by buildings in ruins, these are not however always ruins left by their inhabitants. They hark back to the golden age of a bygone era and most symbolise a heritage that is doomed to disappear. Aur?lien Villette has travelled the world since 2008 in search of "the spirit of places" in each of the structures that he photographs. But, what is that exactly? He defines it as "an interactive dynamic between material (sites, landscapes, buildings, objects) and immaterial elements (memories, stories, rituals, festivals, expertise), between the physical and the spiritual, which produce meaning." His wanderings lead him to discover sites devoid of any human presence, have been rejected over time, such as this photograph taken in England. Once again, Aur?lien Villette has undertaken frenetic, almost obsessional and poetic research, so that, in the course of his travels, he can immortalise this theatre abandoned by its audience and actors.

Dettagli dell'opera

Data delo scatto

17 maggio 2017

Soggetto dell'opera

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