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OPZIONI DI CONSEGNA

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MAGGIORI INFORMAZIONI SULLA CONSEGNA

Sull'opera

The monochrome portraits made by British photographer Lee Jeffries represent homeless people that he captures as he roams the streets of Los Angeles, Las Vegas, New York, London, Paris and Rome. The black-and-white treatment strengthens the contrasts of the frontal images of the Lost Angels series that the photograph Brittany belongs to. Reflecting a sense of violence, they capture the furrows of faces worn out by life, wrinkled, blackened and tired. "Irrespective of their age, homeless people have their past tattooed on their skin," he says. Without make-up or staging, with the exception of a basic reflector that can sometimes be glimpsed in the pupils of his models, Lee Jeffries manages to magnify these streetwalkers, restoring their humanity through the prism of his lens. The masks fall, showing the damage, suffering and the passage of time. Just like the photographs of the American Irving Pen, his models appear to inhabit a world outside of space and time.

Intervista

Com’è nata la tua passione per la fotografia ?
Sono romantico. Ho trascorso tutta la mia vita da adulto a cercare qualcosa. Quando avevo 20/30 anni non avevo la minima idea di cosa fossi. Poi a 40 anni ho preso una macchina fotografica e ho...

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L'artista

Originally from the UK, Lee Jeffries lives in Manchester and endlessly roams big Western cities looking for the inhabitants of those streets, hoping to reveal their nobility. Previously an accountant, during the 2008 London marathon he spotted a young woman huddled in her sleeping bag close to Leicester Square. His vision of the homeless was shaken and Lee Jeffries couldn’t help but take a photograph. This tremendous encounter marked the beginning of an artistic and social undertaking: the homeless become his principal (and only) subjects. The humanist photographer explains that each image comes as a result of a long discussion. a privileged moment that establishes a connection which can be felt specifically in the subject’s gaze. “Emotion is in the eyes,” says Lee Jeffries, whose majestic black and white portraits help raise funds for the homeless and bear witness to the difficult life conditions of these isolated people, forgotten and broken by a life of suffering.  ... Vedi di più Vedere di meno

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Je quittais Skid Row lorsque je suis tombé sur Brittany. Ce qui a attiré mon attention était sa beauté, habillée de la tête aux pieds avec des vêtements Burberry. Elle était évidemment sans-abri, confuse, mais elle se démarquait certainement du reste des gens là-bas.

LEE JEFFRIES

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