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OPZIONI DI CONSEGNA

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MAGGIORI INFORMAZIONI SULLA CONSEGNA

L'artista

Originally from the UK, Lee Jeffries lives in Manchester and endlessly roams big Western cities looking for the inhabitants of those streets, hoping to reveal their nobility. Previously an accountant, during the 2008 London marathon he spotted a young woman huddled in her sleeping bag close to Leicester Square. His vision of the homeless was shaken and Lee Jeffries couldn’t help but take a photograph. This tremendous encounter marked the beginning of an artistic and social undertaking: the homeless become his principal (and only) subjects. The humanist photographer explains that each image comes as a result of a long discussion. a privileged moment that establishes a connection which can be felt specifically in the subject’s gaze. “Emotion is in the eyes,” says Lee Jeffries, whose majestic black and white portraits help raise funds for the homeless and bear witness to the difficult life conditions of these isolated people, forgotten and broken by a life of suffering.  ... Vedi di più Vedere di meno

Tutte le sue fotografie

John faisait la manche pour de l'argent à l'extérieur d'un magasin « Seven Eleven » où je passais auparavant. Nous avons entamé une conversation et l'une des choses qu'il a mentionnées était le fait qu'il porte toujours sa bague de mariage de sa dernière épouse. Vous pouvez l'apercevoir sur son petit doigt gauche.

LEE JEFFRIES

Sull'opera

The photograph depicts a homeless person. Lee Jeffries is biased to front on views andclosely frames the face. Processing in black and white reinforces the contrasts and shapes the portrait. Neither indulgence, nor complaisance, the style is unadorned. Theartist put emphasis on the relief of the face and laid the wrinkles bare like furrows. Thestrength of this photograph lays in the model?s attitude. Lee Jeffries succeeds in magnifying the character who seems both timeless and out of this world. This portrait speaks volumes. A story unfolds. It is no longer possible for the spectator to remain indifferent. The photograph becomes a document which narrates misery, injustice and suffering. Yet, Jeffries? work is stripped of any sordid realism. The portrait is hieratic and true nobility emanates from this face.

Intervista

Com’è nata la tua passione per la fotografia ?
Sono romantico. Ho trascorso tutta la mia vita da adulto a cercare qualcosa. Quando avevo 20/30 anni non avevo la minima idea di cosa fossi. Poi a 40 anni ho preso una macchina fotografica e ho...

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