Artistas

Estamos desarrollando una colaboración real con nuestros fotógrafos artísticos
Trabajamos con fotógrafos de renombre de todo el mundo
Nos esforzamos en descubrir y promocionar nuevos talentos

Artistas destacados

Photo EL VENERO - Slim Aarons
American photographer from Manhattan, New York. Born George Allen Aarons in 1916 and died in 2006. Became a photographer at 18 years of age for the American Army during World War II. After the war, he wanted to be: photographing attractive people, who were doing attractive things in attractive places.
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Photo EL VENERO - Slim Aarons
Photo Lounging In Verbier - Slim Aarons
Photo NEO-CLASSICAL POOL - Slim Aarons
Photo NICE POOL - Slim Aarons
Photo BUZIOS - Slim Aarons
Photo LEONARD DALSEMER - Slim Aarons
Photo HIGH DENSITY II - Laurent Dequick
This 40 year old photographer is an architect by profession. There are signs of this in his work as it is first of all a reflection on contemporary cities and more specifically aboutthe proliferation of modern urban space. Laurent Dequick’s purpose is to accurately convey an impression of frenzy which results from a density of population and activity in urban areas: « Along the streets, the lights, the noise, the traffic, the swarms of pedestrians, the blend of smells, are so fascinating that no single shot can entirely capture it. Do choices have to be made? I don’t think so: I don’t want to… »To translate this urban life congestion into an image, the photographer does not shy away from the juxtaposition, superposition or inlaying of shots. With the same intensity he overlaps photographs representing architectural complexes, main traffic routes and people. He condenses the images like the city condenses the sum of its inhabitants’ lives. Dequick’s style is reminiscent of cubism in its execution close to abstraction andin his representation of permanent movement.
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Photo HIGH DENSITY II - Laurent Dequick
Photo HIGH DENSITY - Laurent Dequick
Photo From the Empire IV - Laurent Dequick
Photo Melbourne BROUKE St II - Laurent Dequick
Photo From the Empire Chrysler - Laurent Dequick
Photo Jordan's Roof - Laurent Dequick
Photo JARDIN OUBLIE III - Bernhard Hartmann
Nacido en Frankfurt en 1954, Bernhard Hartmann empezó su carrera como fotógrafo de prensa para un importante periódico alemán a los 14 años de edad. Más tarde, después de estudiar arte, se convirtió en fotógrafo paisajista. Creó imágenes dramáticas utilizando el cinemascope, las cuales con frecuencia son comparadas con las pinturas románticas de Caspar David Friedrich. Hartmann prefiere fotografiar lugares donde se practican y se expresan las artes.
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Photo JARDIN OUBLIE III - Bernhard Hartmann
Photo JARDIN OUBLIE II - Bernhard Hartmann
Photo LA CUCINA I - Bernhard Hartmann
Photo NYC East River with Empire State - Bernhard Hartmann
Photo La cucina - Bernhard Hartmann
Photo Dome of literature III - Bernhard Hartmann
Photo Jump - Maria Svarbova
Maria Svarbova was born in 1988; she currently lives in Slovakia. Despite studying restoration and archeology, her preferred artistic medium is photography. From 2010 to the present, the immediacy of Maria’s photographic instinct continues to garner international acclaim and is setting new precedents in photographic expression. The recipient of several prestigious awards, her solo and group exhibitions have placed her among the vanguard of her contemporaries, attracting features in Vogue, Forbes, The Guardian, and publications around the world; her work is frequently in the limelight of social media. Maria’s reputation also earned her a commission for a billboard-sized promotion on the massive Taipei 101 tower, in Taiwan. Maria’s distinctive style departs from traditional portraiture and focuses on experimentation with space, colour, and atmosphere. Taking an interest in Socialist era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette. The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive. Carefully composed figures create thematic, dream-like scenes with ordinary objects. Her images hold a silent tension that hint at emergent possibilities under the lilt of clean and smooth surfaces. There is often a sense of cool detachment and liminality in Maria’s work. Routine actions such as exercise, doctor appointments, and domestic tasks are reframed with a visual purity that is soothing and symmetrical and at times reverberant with an ethereal stillness. The overall effect evokes a contemplative silence in an extended moment of promise and awareness—a quality difficult to achieve in the rapid pace of modern life. Maria’s postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience. Nevertheless, deeply embedded within the aqueous pastels, Maria’s compositions hold to a celebratory elegance that transforms the viewer’s gaze into an enduring reverence for life’s simple beauty.
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Photo Jump - Maria Svarbova
Photo LIFE WHELL - Maria Svarbova
Photo SWIM - Maria Svarbova
Photo Before jump - Maria Svarbova
Photo Jumping forbidden - Maria Svarbova
Photo NO DIVING ! - Maria Svarbova