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  • 1. Formaat
  • 2. Afwerking
  • 3. Fotolijst

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Gelimiteerde oplage van $155,00 tot $4.800,00

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LEVERING OPTIES

Beschikbaar in galerij
Ophalen onmiddellijk in een galerij
Levering in galerij
onder 10 dagen, Gratis
Levering aan huis
onder 10 dagen, Gratis
Levering aan huis, Collector, Giant, Exception
onder 10 dagen, Gratis

MEER INFORMATIE OVER LEVERING

Over het werk

Arno Elias, initiatiefnemer van het project ‘I’m not a Trophy’, zet zich in voor het behoud van bedreigde soorten en sensibiliseert het publiek met behulp van met de hand beschilderde foto’s, zoals deze foto uit 2016. Op aarde ging de helft van de wilde soorten in minder dan 40 jaar verloren. Het aantal jachtluipaarden daalde van 100.000 in 1900 tot 10.000 in 2010. Ze worden gedood voor hun bond, en worden omwille van die handel met uitsterven bedreigd.

De kunstenaar

YellowKorner is proud to be associated with renowned photographer and committed animal rights activist Arno Elias, as part of his project “I’M NOT A TROPHY”. He has brought together two artforms, painting on his own original photographs, and is now offering prints of these works exclusively through YellowKorner. By capturing images of his muse Cara Delevingne and iconic endangered species, photographer Arno Elias has combined art with an important cause. The founder and creator of this campaign is sharing his photographic project with us. He has created a new series of painted photographs to raise awareness about the diminishing numbers of animal species such as rhinos, elephants, and lions. Cara Delevingne, one of the most popular fashion and entertainment figures in the world today, is the brand ambassador for this campaign. She has more than 40 million followers on Instagram, recently starred in Luc Besson’s film Valerian and the City of a Thousand Planets, and is an internationally recognised top model, equally at home on the front pages of magazines as on the catwalk for major fashion labels Burberry, Yves Saint Laurent, or Chanel. Cara Delevingne is thus the ideal person to capture the attention of a wide audience and promote the cause. Through its visual and artistic approach, the idea behind this campaign is to create greater awareness of the critical situation of endangered species and to fight against all forms of exploitation. With Cara Delevingne as a muse, a double message is conveyed: the depiction of animals that are hunted as trophies and the hope of securing strong public support for his cause. Indeed, Arno Elias is deeply committed to making a lasting impression and has created an exceptional partnership, one capable of drawing increased public attention to the issue and thus reversing the fate of some animal species. In support of this project, YellowKorner is giving you the opportunity to purchase the works “Cara Elephant” or ”Cara Lion”, with all photographic rights being donated to the “I’M NOT A TROPHY” campaign. “The aim of this project is to strike up a conversation about wildlife in an artistic and original manner, as well as the urgent need to protect them. In my view, public opinion is one of the most powerful tools for saving endangered animals.” Arno Elias  ... Lees verder Less minder

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Onze toonaangevende kunstenaars

LUDWIG FAVRE

Born in Senlis in 1976, Ludwig Favre now lives and works in Paris. Art history, multimedia and audiovisual studies, but also the transmission of a passion between a father and his son were the means that trained the photographer’s eye, sensitive to the reproduction of picturesque...

RUSLAN BOLGOV

Ruslan Bolgov was born in 1974 in Klaipeda, Lithuania, on the shores of the Baltic Sea. His earliest photographs were taken as a teenager, but he didn’t take the experience very far at the time. It wasn’t until the end of his studies in economics and finance that he seriously app...

CLAUDE DEGOUTTE

“The wall belongs to the ‘retards’, ‘inept’, ‘rebels’, ‘simpletons’, to all those with a big heart. It is the blackboard of the school of life,” says French-Hungarian artist Brassaï in his famous back Graffiti. A veritable ode to urban art, Brassaï’s reflection was to mark the a...