YANG BIN

Pomegranate II

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About the artwork

Yang Bin makes use of the theme of still life that had its heyday in 17th century Dutch painting. Laid out on a table in a cleverly constructed disarray, carefully selected objects such as apples, pomegranates, or flowers are combined with others from the Asian world such as Chinese porcelain or a traditional percussion instrument. Following the paintings of Claesz or Kalf, the objects represented softly stand out against the darkness of the room, owing to a lateral light that catches them and accentuates the diversity of their colours and textures. Like still lifes, which were once designed as symbolic reductions of the earthly world for meditative purposes, Yang Bin?s photographs appear to be similar bearers of hidden meaning. As the various elements in them suggest ? half-eaten fruit, wilting flowers, empty recipients ? it would appear that these photographs perpetuate a subtle reflection on the vanity of existence and the fleeting nature of material pleasures.

“Half-eaten fruit, wilted flowers, empty recipients, it appears that the latter extend into the background an exploration of the vanity of existence and the fleeting nature of material pleasures.”

YANG BIN

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Our key artists

MINA MIMBU

Born in Japan, Mina Mimbu moved to New Zealand at the age of 14 to continue her studies. Since she did not have a full grasp of English upon her arrival in Auckland, she turned to other means of expression to counteract the language barrier. A self-taught artist, she tried her ha...

RUSLAN BOLGOV

Ruslan Bolgov was born in 1974 in Klaipeda, Lithuania, on the shores of the Baltic Sea. His earliest photographs were taken as a teenager, but he didn’t take the experience very far at the time. It wasn’t until the end of his studies in economics and finance that he seriously app...

LUDWIG FAVRE

Born in Senlis in 1976, Ludwig Favre now lives and works in Paris. Art history, multimedia and audiovisual studies, but also the transmission of a passion between a father and his son were the means that trained the photographer’s eye, sensitive to the reproduction of picturesque...