Francis Wolff

Dexter Gordon II

About this photograph

The many photographs taken by Francis Wolff portray the golden age of jazz and the leading names of the famed Blue Note Records label. Taken in black and white, often as low angle shots, they highlight the close relationship between the photographer and the musicians ? whose personality traits and obvious energy Wolff liked to reveal. These shots forged an image of jazz and resulted from the high-level meeting of two art forms. American Dexter Gordon (1923-1990) was a jazz saxophonist known for being one of the best tenors of his time. From 1960 to 1975, he lived in Europe, mostly in Copenhagen, but also in Paris where he recorded two important albums for the Blue Note label. The covers for ?Our Man In Paris? (1963) and ?One Flight Up? (1964), with Donald Byrd and Kenny Drew, were taken during the same shooting session as this image.

Details
product.actions.title
Add to cart options
Please choose the dimensions
  • FREE delivery in our Galleries
  • FREE returns for 15 days
  • More Info
Delivery
Delivery in Galleries
Free
Home delivery
Article Standard delivery
Classic, Selection, Large 113 SEK
Giant, Collector, Exception 1190 SEK
Return
You have two weeks (from receipt of your order) to notify us about your return request. To do so, please contact our customer services who will outline the procedure.
The artist
Francis Wolff

Francis Wolff was born in Berlin in 1907. He met Alfred Lion when he was 15 years old and already a jazz and photography enthusiast. Their shared love for this new music cemented their friendship. In 1933, Lion emigrated to American soils. Wolf pursued a brilliant career as a photographer and collected records in spite of the Third Reich’s rise to power. In 1939, he had to face facts and escape Nazi Germany. He reached New York in October. He moved into Alfred Lion’s apartment. This place had also been the head office of a brand new jazz label ‘Blue note’ for about ten months. Wolff worked retouching in a photography studio in the daytime and in the evening was devoted to managing the label. The label developed and soon Wolff devoted all his time to it. He did however take his camera to each recording session for 28 years. He therefore photographed an important part of the history of jazz and its legends.In 1951, with the advent of the LP, and the imminent importance of record covers, the photographs taken by Francis Wolff became primordial for Blue Note. In 1967, Alfred Lion retired and Wolff took over the role of producer. He had to relinquish his photography. He remained at the helm of Blue Note until his death in 1971.

The YellowKorner Quality
High quality prints crafted by experts
More info
Previously viewed