Anhand einer Palette von sich überlappenden Pastelltönen beschreibt Mária varbová eine unpersönliche und sterile Welt in der die Personen jegliche Form von Identität verloren haben. Sie gleichen vielmehr bewegungslosen, roboterähnlichen Figuren, die sich steif von einer Fotografie zur nächsten bewegen. Die Künstlerin stützt sich bei ihren Aufnahmen auf das Konzept des Fotoromans: sie schenkt uns eine Abfolge von Sketchen, in denen die Frontalität und die völlige Abwesenheit von Kontrasten jegliche narrative Dimension ausblenden und die fotografische Oberfläche unterstreichen.Read more Read less
|Icon, Klassich, Colorful,Großformat||10€|
|Riese, Collector, Exception||79€|
Maria Svarbova was born in 1988; she currently lives in Slovakia. Despite studying restoration and archeology, her preferred artistic medium is photography. From 2010 to the present, the immediacy of Maria’s photographic instinct continues to garner international acclaim and is setting new precedents in photographic expression. The recipient of several prestigious awards, her solo and group exhibitions have placed her among the vanguard of her contemporaries, attracting features in Vogue, Forbes, The Guardian, and publications around the world; her work is frequently in the limelight of social media. Maria’s reputation also earned her a commission for a billboard-sized promotion on the massive Taipei 101 tower, in Taiwan. Maria’s distinctive style departs from traditional portraiture and focuses on experimentation with space, colour, and atmosphere. Taking an interest in Socialist era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette. The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive. Carefully composed figures create thematic, dream-like scenes with ordinary objects. Her images hold a silent tension that hint at emergent possibilities under the lilt of clean and smooth surfaces. There is often a sense of cool detachment and liminality in Maria’s work. Routine actions such as exercise, doctor appointments, and domestic tasks are reframed with a visual purity that is soothing and symmetrical and at times reverberant with an ethereal stillness. The overall effect evokes a contemplative silence in an extended moment of promise and awareness—a quality difficult to achieve in the rapid pace of modern life. Maria’s postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience. Nevertheless, deeply embedded within the aqueous pastels, Maria’s compositions hold to a celebratory elegance that transforms the viewer’s gaze into an enduring reverence for life’s simple beauty.