Georges Pierre

In Pierrot Le Fou, filmed in 1965, the colours are enchanting. Godard goes as far as to use colour filters for certain key scenes. The use of monochrome blue, red and yellow filters supports a connection or, on the contrary, highlights the incoherence, the dreamlike character. The film is dazzling and the blue and red colours are frequently associated. Red is Marianne?s colour and therefore symbolises violence and passion. Blue is associated with Ferdinand known as Pierrot. It is the bright blue of the sky and the sea but also the blue of absolute despair. In the final scene, the hero paints his face blue and commits suicide using primary coloured sticks of dynamite.

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Unsere Formate

Klassisch

36x24cm

Icon

19.5x13cm

Colorful

48x32cm

Groß

90x60cm

Riesig

120x100cm

Kollektion

180x120cm

Ausnahme

225x150cm

Icon

19.5x13cm

Klassisch

36x24cm

Colorful

48x32cm

Groß

90x60cm

Riesig

120x100cm

Kollektion

180x120cm

Ausnahme

225x150cm

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Der Künstler
Georges Pierre

In den Augen von Georges Pierre hat die Bühnenfotografie nicht zum Ziel, das bewegliche Bild festzuhalten, sondern den Geist des Filmes wiederzugeben. Der Fotograf muss also selbst Interpretationsarbeit leisten

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